#and it's only rated that high

[corvus-the-trickster]

Sometimes i remind myself of the fact skyrim is rated younger than syndicate and lose my mind over it

[lifetrimmed]

Happy bday to our fluffy puppy~

[danikatze]

[ID in alt text]

Guys he's so pretty..

[personishfive]

in which the metaverse is a dangerous place

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[cisthoughtcrime]

.

[showtoonzfan]

HB crew/fans: HELLUVA BOSS IS FOR MATURE AUDIENCES, ITS AN ADULT SHOW AND ITS DEEP, IF YOU DON’T GET IT THEN YOU’RE JUST A DUMB PERSON WHO CAN’T CONSUME MATURE MEDIA! 😡

Helluva Boss:

[night-creeps]

I still think I was onto something when I said that Kim's fixation on the revolutionary air brigades felt kind of like a kid with glasses really wanting to be a firefighter and then learning that you can't be a firefighter if you don't have natural 20/20 visiom because the heat would melt plastic or cause burns from metal frames and contacts weren't a safe choice either. It feels a lot like that. He wanted to work on those aerostatics but couldn't because of his eyesight

[front-facing-pokemon]

Front facing Wizard Celebi 💪

Went through the teen plushie liker plight of being made fun of for an impulse buy two seconds after and hating this guy for a while because of that but I've come around because look at that face. Look at that cloak and leaf hat. I'd let them curse my bloodline

oh this is fucking adorable. i didn't know a Wizard Celebi aesthetic even existed, unless this is unofficial—the only thing i remember was the thing they did for halloween one time. i like this. this is good. here have some nose ratings about it:

dunno about wimpod. i feel like they're just scared. typically this is not a very Good emotion to have. i think it's in the name. Wimp od

[poison-into-positivity]

I won’t lie it’s depressing the hell out of me that people on my dash are literally begging others to watch certain queer shows in an attempt to stop them from getting cancelled.

Neil Gaiman is on here asking people to tell their friends about DBD so that the likelihood of the show getting axed becomes lower. That show hasn’t even been out for two whole weeks - people have barely even had time to enjoy it before worrying about whether it’s going to be renewed.

It just really sucks that we’re finally getting good, diverse queer representation on TV but now we have to learn how to play the game and fight for it to stay there.

[kitsoa]

The Dystopia That Made Trigun

Ya'll the problem with Triguns insanely long speculative sci-fi timeline is the conundrum of trying to imagine exactly how a dystopian Earth could get so bad that massive amounts of folks needed to yeet themselves blindly into space, but could become so advanced that they single-handedly solve the energy crisis and maybe confirm the existence of god at the same time.

I am not a very skilled dystopia engineer, and there are a lot of flavors but I'd like to think the revolution of Plants on Earth has the potential to alleviate a lot of the aggregators in a full (or seemingly imminent) societal collapse. I'm struggling to work ahead of late-stage capitalism doomer scenarios right now which maybe puts me at a century out. I'm placing Trigun's timeline at 5 centuries out, But the tech advancement can pause at like 3 centuries in since 2 of those are used for space travel before the Big Fall.

So let's hash this out together

Here's what advancements Project Seeds needs to launch:

bioengineering (prosthetics and augmentations)

cloning and gene editing capabilities

cryosleep technology

advanced space travel

gravity control

supercomputing

Here's the rough and estimated environmental factors to cause them to leave Earth:

Resource scarcity

Environmental decline (like global warming and loss of land, and mass extinction)

[speculative] imminent doom from societal factors [like nuclear war and geopolitical unrest]

We know based on the society formed on No Man's Land that capitalism is probably the most familiar and default system used by the immigrants. So we can assume that Project Seeds was created with wealthy benefactors at the helm not only looking for salvation but probably power and influence (cause capitalism gonna a capitalism)-- a true colonial expansion echo despite the optimism.

The Seeds Project strikes me as unaffiliated with a specific country or culture. JuLai and some of the ambiguous ethnicities and lingering languages suggest that it's multi-cultural with English being the primary influence. So it's not a state-sponsored project, but very likely independent-- another point to the wealthy benefactor line of thought. Despite that, those shuttles alone took decades to construct and governmental cooperation to launch so it couldn't have been a completely apolitical endeavor.

Then there's the population. The project's reach is insane, not just in talent, but passenger interest. I'm assuming children were not on board, so you are talking about countless able-bodied adults abandoning their lives knowingly for the promise of a better world. The environmental factors aside, the prep-time for the project had to have been decades in the making. That's a long time to keep the propaganda circling for the promise of better. That kind of interest fades as people age into different stages of life. (Depending on the scenarios we could be looking at a mass draft? Unlikely but very interesting). We know that the survivors of the Big Fall were not specifically tailored to create a society without the comforts they were bringing along or the government of No Man's Land would look a little more stable.

So, what kind of society could form such a vast space immigration project while simultaneously on the verge of collapse?

Well, a desperate one.

The logic follows that as the resources grow scarce and the inequality gaps create vast populations of suffering among disenfranchised people-- fascism rises, which broadly stymies innovation. It's a real roadblock to this scenario. So the jumpstart out of this would be either war or a scientific breakthrough-- or both. There's always going to be interest and innovation in DNA science as a part of the medical field. Even in heavy capitalism that is going to get a lot of money thrown at it. The only thing needed to create Plants is large leaps in gene editing and cloning.

I'll throw out a number, 50 years. We've got cloning and Jurassic Park stuff. Then boom. Angel Mummy discovery. Scientists create the First Entity. But at the same time, geopolitical tensions ramp up because of the destructive potential of this entity. (I mean the First Entity has the Drain ability, that's black hole powers. We're getting wars). But the Plants are developed off of that and the First Entity is destroyed in the Julai foreshadowing lab accident many years down the line. --We've solved the energy crisis and there is probably a huge boom in advancement-- probably those physic-defying advancements to boot. But we have our militaristic flashpoint in technological prosperity, all while the earth is raining hellfire, the cities are flooding, and mass extinction events are occurring. Enough to get Trillionaires with savior complexes to start making Project Seeds.

Aaaand they are probably funding the countless wars so people join the expedition.

Conclusion: Project Seeds is a corrupt colonial project manipulating the hopeful desperation of a beleaguered population, created by the ultra-wealthy to garner absolute control in a humanity reset.

Good thing Nai crashed the ships!

[enbysiriusblack]

"the marauders would be the annoying popular chavvy boys in school"

THEY ABSOLUTELY WOULD NOT BE.

[variousqueerthings]

very funny when people on letterboxd describe a movie as "didn't reinvent the wheel" and it's like. lisa frankenstein. cocaine bear. i just don't think that was their intent as movies youknow. i think it was to have a fun time.

[nostalgia-tblr]

Huzzah, it is @sifkiweek once more! This year I have not missed the deadline! I am posting this for day one as it fits the “throne” prompt pretty well. I’ve posted it as two chapters just for neatness as the whole thing is almost 9000 words which seemed a wee bit unwieldy for a single chapter - both parts already are up so the fic is complete. 

This year’s fic is a sequel to the fic I wrote for last year’s Sikfi Week, and you should probably at least skim that one so that this one makes sense: Bitter/Sweet 

Anyway, the plot of this fic is that Queen Sif has a baby and this a) scares her and b) makes her reconsider her position on whether or not Thor needs to die. Oh no, a Corruption Arc! 

Title: Loyalty Binds Me (AO3) Fandom: Thor (Movies) Rating: Mature Pairing: Loki/Sif Wordcount: ~8800 Additional Tags: Alternate Universe - Canon Divergence, Sequel, King Loki, Queen Sif, A Large & Impossible-To-Ignore Thor-Shaped Hole, Angst, Corruption Arc, Pregnancy, Childbirth, Motherhood, Frigga Does What Frigga Thinks Is Best, Mild Sexual Content, Canon-Typical Violence, Fratricidal Ideation, Treason & Betrayal & All That Fun Stuff, Sifki Week 2024 (Marvel) Summary/Snippet: Sif knows that he has one more point to make, one more argument with which he can hope to win her over. She is already forming the words in her mind when he says them; “And there’s the child to think of too, now.”

PS: I made An Artwork to go with it

[whoblewboobear]

Mhm mhm and so what if I gave Jace a dog just so he could have an excuse for Porter to visit him for the first time in six months since they’ve been resurrected and Porter is finally allowed back to Elmville, what then?

[c6jpg]

mixed feelings because on one hand damn the mad lads did it on the other hand this is barely gonna do shit in the grand scheme of things with how slowly resin regenerates